Photo reblogged from ॐ with 2,945 notes
Gemma Ward backstage at Alexander McQueen, spring/summer 2005
photographed by Anne Deniau
Source: foudre
Photo reblogged from The Gifts Of Life with 367 notes
William Merritt Chase, Peonies, c. 1897
Source: cavetocanvas
Quote reblogged from the cinnamon peeler's wife with 870 notes
The one who begins this poem won’t be the same
As the one who will end it. AlreadyFifteen minutes have passed since I wrote those lines.
I take my shirt off. The day is getting warm.Yesterday I learned two words: Geheim, which is German
For secret. Temem, which is ArabicFor plenitude. In a few hours a hundred million people
Who do not speak the same languageWill gaze at the last eclipse of the millennium. Bonheur,
what a beautiful word when formed by the mouthOf a French Buddhist. Didn’t I tell you words
Should be emptied like a vessel, didn’t I tell you I lovedSchroedinger’s cat. Kept for days in a closed box
The cat can either live or die, but until we lookIt is neither dead nor alive. Next question. Ask me what light
Feels like, at the instant when it falls. The oneWho ends this poem is not the same as the one
Who will stand accused and be forced to deny it.Can sorrow be weighed in gravitons? Is fear genetic?
Does the soul know it exists? Does it echolocate its wayIn this world, looking for an exit? The inferno that we form
by being together. ’ Calvino. I use these wordsTo keep from looking away, ensorcelled by the radiantly
Mortal, but with zero yearning. X = wonder,Vivid under the spell’s recurring question: Peut-on
Naitre-mourir? Lust kills joyInstantly: half glass fully empty. Diamond cusp,
Be beautiful, brief, and blinding.
Photo reblogged from Hoodoo That Voodoo with 161 notes
Concours d’élégance au Trocadéro, Paris, 1939 (Roger Schall)
Source: amtares.com
Photo reblogged from Lost Splendor with 9,193 notes
Champs de Mars, Paris Exposition Universelle c. 1889. Scan via Historic Photos of Paris by Rebecca Schall
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